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Work on the album, which takes its title from her longtime, crowded and admittedly messy office, began before the pandemic shut down most in-person work. She connected with Pentatonix, who appear with Batiste on “Sweet,” in the least likely way - through her dentist. Jon Batiste, she’d met at the Oscars earlier this year.
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Warren introduced herself to Maren Morris, who sings “I Save Me,” with a direct message on Twitter. “I mean, probably more Santana than me, but I sent him the song and he did love it.” It’s Santana, it’s you,’” Warren recalls. G-Eazy did not: “He said, ‘I just want to do it. “I reached out to him and told him about it, and he goes, ‘Yes.’ I go, ‘Don’t you want to hear the song?’” “I thought it would be pretty cool to get someone from the rap world, you know, hip-hop world, and combine them,” Warren says of how G-Eazy came to collaborate on the track with Santana. She reached out to Santana through their mutual friend, musician-producer Narada Michael Walden, and quickly connected with Santana on Zoom. “She’s Fire” was really fun because when I first wrote the song I wrote it on guitar, and I wrote that little guitar part, that little riff at the end of the chorus, hearing Santana in my head.” 1,” she also reached out to many with whom she’d never worked when their style seemed a good fit a song. “As soon as I get off the phone, off the Zoom, I will try to finish a song.” Casting an albumĪs one might expect, Warren knows a ton of singers and musicians thanks to her long and prolific career. “I put the time and I put the hours and I put the work in. Then I have my whole Latin world, you know, and I have my country world.”Īs far as her songwriting process, Warren, who is well-known for her clock-punching work habits, says it’s simple. “I think it just comes naturally to me that I can work with the rock bands, whether it’s Aerosmith and Kiss and those kinds of people, and then I can work with Celine and I can work with Beyoncé. You take that all in and you know as a listener and as a future craftsperson, you know. “Motown, Beatles, Stevie Wonder, I mean, just all the best music ever.
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“I grew up in the Golden Age of radio, so I got to hear everything,” she says. And my mom and dad listened to show tune records, and I listened. “I’ve older sisters, so I heard music when I was born, in the house. “I think it’s because I’ve always been a sponge with influences,” Warren says of her success in genres as varied as rock, pop, Latin and country music.
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That song, cowritten with Albert Hammond for the movie “Mannequin,” also delivered her first of 12 Oscar nominations. 1 hits with Starship and “Nothing’s Gonna Stop Us” in 1987. Two years later, DeBarge took “Rhythm of the Night” to No. Warren, who grew up in the San Fernando Valley, has been writing hit songs since singer Laura Branigan took “Solitaire” to No. “But it’s the first time that my name’s been on a record, so it’s really cool.” Working hard “The thing that’s the same is the artists are doing all the work,” Warren says of guests who sing the 15 new songs on the album. 27, with songs such as the single, “She’s Fire,” featuring G-Eazy and Carlos Santana, artists from Maren Morris and Ty Dolla Sign to Celine Dion and Luis Fonsi as vocalists on other tracks.Īnd, of course, John Legend, is finally captured on record, singing “Where Is Your Heart.” “I thought, ‘Why can’t I do the songwriter version of that?”